February 2019


Uncategorized25 Feb 2019 08:00 am
The Slave Ship by JMW Turner, 1840

W.C. Roberts

his chin thrust out like a ledge over the chasm 
between them, their child 
a tiny figure cut out of stone and blackened in a fire
that burned their house boat
to the water line 
he glares at her, eyes like flint and steel 
but the sparks do not so much and singe her hair 
the woman takes up their child 
and cradles him in arms 
not yet turned to stone, but thunder in a confining space
shakes the soot from his brow 
-- the child stirs

there was a time when the men on the banks of the river
would have died for them, and their stories told 
to frighten children who hadn’t the good sense to turn to stone 
when the fire comes and their thatched huts burn down
to the ground

from these ashes we are enjoined, and one of the ravens
he watches over us 
and we, who’d live for ages, and cannot live under the water
that comes to bury us alive
we, who’d live for ages, and cannot live 
in the crook of his elbow like a firearm
we look away, and he looks for us, as the storm’s fury 
shards of a white porcelain heaven breaking 
and they come down on the water, without hardly a splash 
knowing the bottom well, and the chasm between them
who’d take a drink from this well? and know

     what’s left of the sky

father, father, says the child, in the child’s lisping way  
why have they turned against us? are we not good 
for them?



he swallows, as if thinking of his answer;
he steps into the chasm
and is gone
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poem11 Feb 2019 08:14 pm

Marsheila Rockwell

The statue of the selkie in Mikladalurm, photo by Siegfried Rabanser

The clouds roll in
Soot and silver
As he sets the table
For two
Candlesticks and roses
Their subtle perfume lost
Beneath the scent
Of impending rain

It’s their pearl anniversary
Thirty years
Since he met her
On a tempest-tossed sea
The grey-green waves
Reflected in her eyes
Her long, dark tresses
Mocking their fury

He pulls the chair back for her
And waits
As she makes her way slowly
Across the kitchen
Leaning heavily
On a driftwood cane

She is about to sit
When the storm breaks
Lightning flashes
Thunder
Once distant
Booms
Shaking their seaside home

The power goes out
And suddenly he sees her
As he had
Once before
In all her feral
Otherworldly beauty

Limned with electricity
Night-black locks
And sea-hued eyes
Shot through with sparks
Commanding the elements
To turn aside
From his crippled vessel

Then the lights blink back on
Her image resolves
And she is herself
Hunched and wrinkled
Her eyes bright with wit
But nothing more
Her white hair captured
In an untidy bun

He adjusts his glasses
“I think
I need to get
My prescription checked,”
He says
Shaking his head
In bemusement

“Yes,” his wife
The earthbound
Lovebound
Storm goddess
Replies
With a gentle
Secret smile
“Yes, you really do.”

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poem04 Feb 2019 08:00 am
photo of statues at Suissa, By Amitabha Gupta – Own work, CC BY 4.0, https://commons.wikimedia.org/w/index.php?curid=64364171

Lisa Bradley

Chipping gems from the eyes of angels
Leona ransacks the sacred statuary.
The night guard was easy to overcome.
On the ceremonial brazier halfway through
his circuit of the gardens
Leona lobbed a handful
of sweet-smelling pellets.
When he warmed his face and hands
wrinkled as walnuts
the resin laid him out.
Anyone who finds him will assume
he's been felled by sleeping sickness
leaving Leona free to flit idol to idol
prying with chisel and knife
until the collection of precious irises
clicks in her pouch like chatty insects.
 
Ever testing the limits of colleagues,
Desi tries to change the terms:
Will Leona consider a trade instead?
On offer, a vial of powdered
unicorn hoof and horn said to heal
sleeping sickness if sprinkled
on the sleeper’s tongue.
No doubt the powder is real;
Desi is wily enough to source
commodities others kill for.
But Leona demands coin to buy
bread needle thread, ale millet meat,
knowing Desi haggles out of habit
(forgiving him is her own)
and the Entrepreneur of Illegality
might even think he’s doing her a favor.
 
Coins chiming like bells in her pouch
Leona crosses the cemetery.
No one dares follow after dark.
On the other side, on cobblestone streets
Leona trails millet from her pocket,
awaiting a crackle under other boots,
a shadow flushed to the corner of her eye.
Once home, she leaves her boots on.
Mama won’t mind the mud.
Mama’s sleeping and has been for months.
Even so, Mama’s eyes shine, moonlight
glinting off the mirror shards
Leona, laughing, lodged under each brow.
Why would she want Desi’s cure?
For the first time in Leona’s life
Mama looks happy to see her.
 
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